Elements of the building were blown away, but could not break. Invisible threads between the structural elements held them together. This newly exploded space was taking its passengers around, taking them to countless venues. Each player had a different journey according to the point he stepped into the venue. While some thought he was wandering on a roof, he was actually walking around the seats of a concert hall! The drawing was neither a section nor a plan, and if the plan was a section, it was the ‘eye’ of the viewer that is shown in this drawing.
Reading the Pınar’s drawing from the comments of Melis,
The invisible threads between the structural elements create the power of the unity. The drawing is fragile for touching but also contains its own strength. The unbreakability of the space and its diversity of the paths inside the space are the most powerful parts of this drawing.
According to my reading, as we are the passengers of this drawing, we lose our sense of time while we are wandering inside.
I think we can say that what is happening in this drawing are hidden in John Berger’s sayings in Bento’s sketchbook, “We who draw do not only to make something observed visible to others, but also accompany something invisible to its calculable destinations.”.
acts of drawing 
Elements of the building were blown away, but could not break. Invisible threads between the structural elements held them together. This newly exploded space was taking its passengers around, taking them to countless venues. Each player had a different journey according to the point he stepped into the venue. While some thought he was wandering on a roof, he was actually walking around the seats of a concert hall! The drawing was neither a section nor a plan, and if the plan was a section, it was the ‘eye’ of the viewer that is shown in this drawing.
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Reading the Pınar’s drawing from the comments of Melis,
The invisible threads between the structural elements create the power of the unity. The drawing is fragile for touching but also contains its own strength. The unbreakability of the space and its diversity of the paths inside the space are the most powerful parts of this drawing.
According to my reading, as we are the passengers of this drawing, we lose our sense of time while we are wandering inside.
I think we can say that what is happening in this drawing are hidden in John Berger’s sayings in Bento’s sketchbook, “We who draw do not only to make something observed visible to others, but also accompany something invisible to its calculable destinations.”.
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